Vanakkam Da Mapla Movie GV Prakash and Swaminathan (Daniel Annie Pope) are two companions who, subsequent to enduring heartbreaks in their particular love lives, promise to get hitched on a similar stage and that very day. Following a couple of years, Aravind, who is presently functioning as a marine architect, understands that Swaminathan is getting connected with to his moraponnu. He hurries to the commitment and requests that Swaminathan delay his wedding by a half year. “I will track down an appropriate young lady inside the a half year,” he attests.
A dangerous scene follows including Swaminathan’s life partner and her sister. Since the arrival of Sivaji (2007), many have voiced out the issues with the Angavai – Sangavai scenes. Here, we have a Malarvizhi and Kayalvizhi. Aravind takes a gander at the last mentioned and goes, “Market la vela pogadhadhu laam enakku thalli vidriya?” Both these ladies are viewed as final retreat alternatives for the two male leads, and that’s it.
In the end, after some incredibly exhausting scenes, Aravind goes over Thulasi (Amritha Aiyer) and falls head over heels. Simply a scene in the wake of meeting her, he menaces Thulasi by faking a meeting opportunity. Swaminathan takes on the appearance of a scout from BBC, and the new employee screening scene is agonizing to watch. Yogi Babu shows up in the scene that follows. Presently, we understand Thulasi is additionally enamored with Aravind. How they fall head over heels is accidentally amusing. The purposeful jokes, then, are horrible. An exchange that comes later in the film summarizes it – “Enakku mattum yen ipdi recoil ahve nadakkudhu?”
By this point, an hour and 10 minutes have slipped by we actually don’t have the foggiest idea about the contention of the film. We are then acquainted with Thulasi’s dad (Anand Raj), a 40-something bereaved man. He currently represents another danger to Aravind’s arrangements to wed Thulasi — he asks Aravind to initially discover him an appropriate lady. Finally, we have a contention and a startling one at that. In a film with exceptionally terrible parody, Anand Raj’s character comes as a consolation. Be that as it may, the film wastes the capability of a smart thought.
In the end, after each contention settled, with under 20 minutes of runtime left, another issue springs up. This one follows the banality layout of the vast majority of the film. A silly contention results and makes a crack, all so a ‘soup kid’ melody sung by Dhanush can be fit in.
The sub-plot between Aravind’s mom and father, played by Pragathi and Jayaprakash, is really fascinating and we wish it was given more significance. This likewise gives great emotional help in this dreary film.
In a generally risky film, the peak pushes things off the edge. The assent of a male character in a wedding game plan is underestimated. In a film that has a moderately aged single parent needing to get remarried, the last shot of the film focuses an awful light on single parents needing to get remarried.
The unacceptable foundation score doesn’t improve the situation much. Also, the endeavor to interest the more youthful segment of the crowd by including moving TikTok scores like Kirubha by Pr Darwin Ebenezer and Tommy by Yashraj Mukhate, doesn’t work all things considered.
With an excessive number of issues and no takeaways, Vanakkam Da Mappilei has nothing worth pulling for.
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